First Child in Israel? Das wärs ja noch. Aber wer weiß,
denn offensichtlich sind die Israelis auch auf den Geschmack
gekommen, wie man dem folgenden Review entnehmen kann:

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CLASSIC ROCK AND BEYOND / Israel

Clap your hands and shout out Devil! That's what's rock 'n' roll
about. The awesome threesome from Deutschland rub all the right
places.

Doro Pesch once admitted to being fan of Marc Bolan but she never
followed the glam route - unlike her compatriot Cat The Cat who
throws in some Suzi Quatro for good bass-wielding measure and
lends the "power trio" term a new slant. And do the gal and her
two boys rock! The title track cuts in with heavy yet sparse rhythm
and infectious riff that's lassoing like a lace around your
ears with a little hint of rockabilly hiding in the shade; note
the Hank Marvin-like twang of "Gambler" which nails it where it
gets with a slide guitar, before the "Every Bullet" acoustic
texture hits the soft spot. And that's only the start of one
wonderful album which ropes in the songwriting talents of Mary-Susan
Applegate whose clientele lists Celine Dion.

Fortunately, there's nothing diva-esque about the German singer
doing a country rock anguish on "Face In The Mirror", which can
easily be converted by remixers into a dancefloor sweep or orchestral
swipe, after driving the bunch into ZEP territory on crunchy "Bones"
and bluesy "Don't Mess Around" that gains funky grit as it progresses.
Meanwhile, "Gypsy Woman" sounds like a surefire pop hit and the
raga-tinged "Back At Home" comes forth anthemic-way. Cat The Cat's
so endearing in the girlish "Bye, Bye My Baby" that you feel obliged
to apply for the date with the lady. FIRST CHILD have all the makings
of international stars.

Na, klingt das begeistert? Also warten wir doch mal auf das erste
Konzert in Nahost.